- Ars Futura Galerie Zürich, 2000
- Ars Futura Galerie Zürich, 2000
- Alpamare
- Ripped off
- Flocons de neige en état d'ivresse
- Gnu
- Gras
- Kaa, Paris
- Pelican, fish and fountain
- plants attacking table
- Regenbogen im Mitteland
- roter gehts nimmer
- Scottland Yard
- Sepp, Baleniceps Rex
- Serengeti Sunset
- Suricata Suricatta lux
- Tannenwald Herbstnebel
- Victoire de la raison
- Windy
- Yellow, Green and Blue
- Awacs, suddenly
- Chien triste
- conditions
- Evidence
- Hellblaues Mädchen
- Love concrete
- Luciano
- Lederhosen mit Luftgitarre
- Narrow
- Neuschneemaschine
- Nude on wood
- Pain
- Red button
- Rock
- rote Füsse
- Simulation
- Snowboardcrash
- Teddy an Stuhlbein weinend
- Studio Show, Paris 1998
- Studio Show, Paris 1998
Brand new Animals
Playful work examining the image of nature, its construction and mediation. Photographs of mountains, plants, animals and landscapes situated between cliché and subjective experience, collective longing and personal memory, presented as a book sequence.
The photographs were all taken by the artist, wether at the zoo, outdoors in nature, in an Imax 180° theatre, from posters, magazines or video games, etc. Intended as documentary photography, none of the pictures has been altered with Photoshop. Seen, experienced and captured on film, then applied to the book medium.
For exhibitions, the work is presented in different ways: as a site-adjusted photographic installations using various materials: airbrush on cloth and satin, Inkjet on paper or canvas, c-prints, laser prints. or as slide projection with video of actor reading out the alphabetical title list, asynchronous to the projection.)
pale man in a new Stingray
Soft landing. Brain emptied. Waiting for filler. Assuming disguise. Growing up Los Angeles, in the town of Silverlake. Hopping on the plane to Stockholm one frigid December afternoon. City of dormant snowy dreams. Anxiety roaming. Sniffing the horizon. Longing for the empty. I arrange for a cottage squeezed in the center of downtown. A rustic Disneyland of two stories. Vinyl grass luxuriates the facade. The neighborhood’s trafficked by druggies, the landlady warns. The purr of the air heater implanted in the frontal lobe keeps my temperature moderate. continue reading >>
Tasty scenarios arrive via email at the cultural center. The cell phone rings sporadically. Its heavy breathing my lullaby. In the thick air of nighttime metallic acid, I somnambulate. My assignment shows up on Wednesday: execute the fisherman. snake in the forest
the blood pimple of australian
flaming phallic cactus spotting the desert
love on the sidewalk
Years later. Cruising. Hitchhiker by my side. Big American Car. Slinking through Iowa. Corn blocking the sun. Perambulating via Nebraska. Wheat rotting the air. The shimmering asphalt mirage. Cruise control narcosis at 160 kilometers an hour. Sunyata. Motels filled with agitated travelers wearing polyprophene shorts, gas masks and wraparound orange-tinted sunglasses. We surf the radio. Stoned on religious stations, especially preachers like Dimitri Diamond, who offers a vial of authentic River Jordan water for every $ 100 donated to God’s righteous cause.
Few truck stops remain along this lonesome prairie trail. Mostly multinational franchises, soiled formaldehyde carpets and countless massacred insects of every hue, shape and design. At the 100t Meridian, along Highway 80, I pull off the blacktop to inhale a cheeseburger, fries and chocolate milkshake. My hitchhiker stuffed in the trunk, following orders. The tallest highway sign in the world festoons this ghost town, advertising everything and nothing. Nearby the dilapidated museum of its missing son, the American painter Robert Henri.
sitting white suit angel
jumping monkey/ forest at sunset
palm trees on fire
Memories before. Springtime in the Rocky Mountains of Colorado, Verdantridges. Sunsets kissing alpine meadows. Sybarite mountain goats. I hole up in Estes Park: the hotel where Kubrick crafted The Shining. Sipping blue agave tequila beside the 1920s swimming pool a blanket defending my sun-chapped skin from the slap of the crisp breeze. I catatonically flip through Vogue, Elle, Dazed and Condfused… On a Saturday, after a four-hour meandering hike to the top of Long’s Peak, I unearth assignment # 3567. Liquidate the forest ranger of Campsite Elk Horn.
polar bear strolling / trees at sunriseglowing swimsuit / jelly fish levitating
forest in the mist
metal palm trese / the empty whiteness
In another place. Seasick passenger on the dinghy between St. Maartens and St.Barthes. Engines rattle gurgle pop. Our spit of cork caresses the monotonous turquoise. No sharks kissing. Only the void. Docking requires precise maneuvering to avoid the prick of coral reefs. Stranded in a 1990s resort infused with Mediterranean cuisine and staffed by the alienated local populace, I eat sushi somewhere else eight times a day. The ocean waves too choppy for swimming. The surfers congregate at noon sipping Mai Tai’s and smoking hashish. I collect color photo brochures detailing the dismal tourist attractions of this paradise, throw them into the wastebasket, promising myself to rent a sailboat and fish for marlin. My next target. Someone who scurries daily at 6:20 in the morning between points A and D. There is no B and C.
wet haired girl packed in a chevydog on a chair
strange bird / blue borealis
red plants in a pattern
The grimy streets of mid-summer Cairo. Posters of Egyptian movie stars repopulating the city: girls and boys bleached blond and bikinied. Suffocating pollution baking the pores of my skin.Dizzying call of the muezzin. Garish Tutankamun’s mortuary statues. Stale roasted peanuts and fresh cold beer at the Nile river’s edge. These are a few of my daytime things. Spirits hovering about the alleys. I meander the City of the Dead by moonlight. Innocents and not, slumbering on rooftops. My hotel daters to professors from all over the world excavating treasure at the pyramids. I study the one who specializes in quantifying the migration patterns of the lotus and the serpent.
In the casbah, during the evening’s musical revue I quaff the heavy perfume of belly dancers, sticking my nose underneath their gyrating hips and undulating tummies. I wait a long time for my next assignment. And it never comes.
blond taped to a naugahide truck
stars sparking the night
plastic sheep / puffy clouds
I terrorize my Parisian waiter. He quivers each time I grab the next cold brown dish. It is dangerous to eat this stuff.You’re to poison me I exclaim. He despises my gruff dialect. Thinking me a plebeian. But I put the stars in the firmament. In a very deep repose.
A nondescript office, the color of beige. What have we here? Me in my white lab coat. Scientist of systems archeology. The study of fragments. Images. Answers. Emptying out all their objective and subjective. Detective story. Uncovering and covering the clues. I press the wrong button on the phone bringing the emergency medical crews to my door. Something wrong with you? Digging in the backyard of the Stockholm cottage. I never ask why. Related to drugs, war, love? I take out the local tribal leader.
Flashback to the hotel on the beach Punsan. Confused karaoke, angry promises, sloppily eating octopus soaked in brine. Washed down with a slug of fireworks on the sand. My job: find the cook in the large tower restaurant. Instead I meet my end.