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NYC, no. 1 (Irish man), 1997, C-print on aluminium, 105 × 70 cm 
NYC, no. 7 (Hispanic girl)), 1997, C-print on aluminium, 105 × 70 cm 
NYC, no. 6 (Tie), 1997, C-print on aluminium, 105 × 70 cm New York
NYC, no.5 (Pen), 1997, C-print on aluminium, 105 × 70 cm New York
NYC, no. 3 (Hand in hair), 1997, C-print on aluminium, 105 × 70 cm 
NYC, no. 4 (Cap Driver), 1997, C-print on aluminium, 105 × 70 cm New York
NYC, no. 9 (Black President), 1997, C-print on aluminium, 105 × 70 cm New York
NYC, no. 11 (Hair on back), 1997, C-print on aluminium, 105 × 70 cm New York
NYC no. 10, 1997, C-print on aluminium, 105 × 70 cm New York 09
Zürich, no. 1, (Diana), 1997/98, C-print on aluminium, 60 × 40 cm 
Zürich, no. 4, (Face off), 1997/98, C-print on aluminium, 60 × 40 cm 
Zürich, no. 3, (Opa), 1997/98, C-print on aluminium, 60 × 40 cm 
Zürich, no. 3, (Oma), 1997/98, C-print on aluminium, 60 × 40 cm 
Zürich, no. 5, (Girl, face off), 1997/98, C-print on aluminium, 60 × 40 cm 
Zürich, no. 6, (Ellbow), 1997/98, C-print on aluminium, 60 × 40 cm 
Zürich, no. 7, 1997/98, C-print on aluminium, 60 × 40 cm 
Zürich, no. 9, (Eyes closed), 1997/98, C-print on aluminium, 60 × 40 cm 
NYC, no.12 (Cadillac), 1997, C-print on aluminium, 105 × 70 cm New York
NYC, no.7 (red green man), 1997, C-print on aluminium, 105 × 70 cm New York 
NYC, no.8 (black car back), 1997, C-print on aluminium, 105 × 70 cm New York
Paris, no. 4, (Criminals), 1998, C-print on aluminium, 90 × 135 cm 
Paris, no. 1, (Blond), 1998, C-print on aluminium, 90 × 135 cm 
Paris, no. 2, , 1998, C-print on aluminium, 90 × 135 cm 
Paris, no. 3, (Kadett), 1998, C-print on aluminium, 90 × 135 cm 
Cover "we will never be so close again"
Soloshow, Galerie Luciano Fasciati, Chur 1998
Soloshow, Galerie Luciano Fasciati, Chur 1998
We will never be so close again
Serie 1: NYC 1997, 12 C-prints on Alu 105×70 cm
Serie 2: Zurich 1998, 8 C-prints on Alu 60×40 cm
Serie 3: Paris 1998, 4 C-prints on Alu 90×135 cm
Portraits at traffic lights, portraits of people waiting in their cars at traffic lights. First in New York, then in Zurich and Paris, I drove in my the car from traffic light to traffic light. In the brief span of seconds while stopped at a red light, I took pictures of the drivers in cars next to mine. I did not wait for anything particular to happen. Rather, I was focussed on the looks and expressions of the drivers as they waited, often absent, focussed on something outside the frame.